Circus Geeks received Lab:Time funding to carry out research into an immersive juggling experience.
Doreen Großmann, Iñaki Sastre and Arron Sparks spent 3 days in the Creation Studio at the National Centre for Circus Arts generating juggling material and working through experiments on a friendly guinea pig voluenteer audience.
Inaki Sastre suggested the concept of creating a juggling piece in an alternative enviroment from the traditional show format of a juggling performance- imagining what and how a juggling installation might function. From that original concept, Arron generated a series of questions to explore and an array of different directions the research could head.
“Over the first couple of days we created two short pieces, one in which the external viewer could move where ever they pleased while a juggling piece took place in the same space (much like how a traditional gallery space operates with a sculpture). In the second version the performers guided an audience of one through the piece which happened over, around, to and with the aid of the audience member.
Based on audience feedback from day two and our own insights we decided to focus on the second more personal method used. We spent day 3 creating a 7 minute piece which we then performed as a continuous loop for close to two hours, receiving feedback throughout and testing adjustments.
With more research time it is probable that the first “free-range” method could be developed and refined to get over the obstacles we encountered, such as the audiences self imposing rules which restricted their viewpoint, enjoyment and even understanding of the piece. This could be circumnavigated by stating the rules of engagement from the start (with, for instance, the use of a sign) and is an area of research that could de explored and tested in its own right.
Exploring the possibilities of putting a non juggler into the world of juggling is something I have considered before. In an early version of Beta Testing we attempted (unsuccessfully) to simulate the pressure onstage that a professional juggler has to confront with an audience volunteer. However in this research -thanks to the questions we set out with and the softer, intimate approach Doreen and Iñaki brought to the performance helped us communicate to an audience the physical experience of juggling and the pleasure that it brings us.
After 3 days of research and a series of tests and feedback we are confident that this is an area of juggling rich with possibilities. We hope to further explore the area of immersive juggling in the near future.”
Immersive Juggling Research made possible thanks to the National Centre for Circus Arts, the Esmée Fairbairn Foundation, The Production Shed and all our friendly guinea pigs.