Why are there no circus celebrities?
I think it’s important to define what I mean by ‘circus celebrity’. I mean an individual widely known throughout society who becomes and stays famous because of their circus work.
Older members of the public might know the name of some past famous clowns but it’s unlikely they will know the names of any trapeze artists or acrobats. But artists from other circus disciplines have made it to the top of the bill and become household names in the past. It may surprise some of you to know that there have been few juggling celebrities equivalent to the David Beckhams of the world today. Both Enrico Rastelli and Paul Cinquevalli enjoyed fame and fortune, with sell out shows and even product endorsements.
As circus lost it’s status as the number one entertainment destination house hold circus names went in decline. Cinema and then TV created starts of their own that were better suited to their medium. The best way to become famous in the past was to appear on TV or in a film, if the guys in charge wen’t interested in you then your were out of luck.
But now we have the internet.
We all have access to our own publishing company and film studio. Society is diversifying. Individuals are forming their own tribes of like-minded people, no longer held back by geographic constraints. Within these communities artists and experts appear and become ‘micro-celebrities’. These tribes are linked by individuals who belong to more than one tribe and share an aspect of one tribe to another. Often these connecting individuals will share their favorite artist or expert, turning a micro-celebrity into a ‘hyperlink star’.
I think it’s a matter of time till a circus performer/entrepreneur becomes famous, someone will be at the right place, at the right time, have the right attitude, image and work. And it could be good for all of us. Someone able to interest society at large in circus would mean more ticket sales and more competition, resulting in a better standard of work.
It’s what Philip Astley, P.T. Barnum and Guy Laliberté did. Only when they did it they could rely on interruption marketing. Shouting on a street corner and hoping people would stop. But now everyone is shouting. So you have to create your own tribe and rely on connectors sharing your art on Facebook, Twitter and the rest. Build your fan base and let your fans build you. But people will only share your work if it is remarkable.
So make remarkable work that others can share, become famous and then share your success. Simple.