I have always liked kick-up tricks with clubs, and have over the years somewhat specialised in them to a greater or lesser degree, including teaching workshops at juggling conventions specifically about that particular trick, and releasing a couple of videos onto the internets based around some of the variations possible. This has lead to me being perhaps somewhat known in the juggling community for this particular trick.
Yesterday I performed my club juggling act at an event held at a circus institution: a press conference type show with circus students and teachers, and various city officials in attendance.
It wasn’t my best show, but I did my job reasonably well, and was, as far as I could tell, well received by all. After the show, one of the jugglers (who had mentioned already that he had done one of my above mentioned workshops some years ago, and was also very interested in kick-ups himself) complimented me on my act, and then followed that up with: “but you don’t do many kick-ups in your act.”
I agreed with him, and talked a little about how I have been doing less kick-ups in general in recent years, due to the wear that they put on the knees and ankles, and the worsening injuries that that in turn entails.
Whilst this is true, and there are specific kick-up variations that I no longer practice for that reason, I have now thought a little more about his statement, and what it could mean.
For the fact of the matter is, that in the act I performed, which lead directly to the comment of “you don’t do many kick-ups in your act”, I do 5 different kick-up variations, for a total of 43 individual kick-ups in a 6 minute act.
That actually seems like quite a lot of kick-ups!
Is it me? Do I think I’m doing a lot and I’m not really? Perhaps, but no-one has ever said to me before that “it’s not very many kick-ups.” Quite the opposite, in fact: audience members commenting specifically on the kick-ups (rather than the absence thereof) is a rather common occurrence. But to be clear now, I refer now to non-juggler audience members.
I don’t know how possible it ever is for us to put ourselves truly in the position of the audience, to overcome our preconceptions of technique, to enter into the mindset of the outsider. And as I have surely written before, the responsibility to mould that mindset rests strongly with us as performers. But we have to first be clear ourselves as to what we are communicating.
A lot of modern/contemporary/new-school/creative/manipulation-based juggling is based around non-repeating patterns. About short sequences, single throws and rapid changes. And in some ways, I find that to be a shame. Only variation and repetition can lead to images and recognition, and I consider such things to be important aspects of our juggling reality.
Perhaps my 5 kick-up variations are too few? Or the repeating patterns too many? But too few for who, and too many based on what criteria, exactly?
How many variations on a theme are too much? When does repetition cross the line from boring pattern to strong image (and back again)? As a juggler, can I ever truly “see” my juggling from the outside?
And how do I know how many kick-ups is enough?