I’m obsessed with TED, so when I saw Jay Gilligan‘s TED talk pop up on my Facebook newsfeed I suspected I was in for a treat.
The Evolution of Juggling at TEDxHelsinki
Artistic adventure by Arron Sparks
The CircusGeek blog, from kitten juggling to plasticine tight-wire. Circus and other odd things.
I’m obsessed with TED, so when I saw Jay Gilligan‘s TED talk pop up on my Facebook newsfeed I suspected I was in for a treat.
The Evolution of Juggling at TEDxHelsinki
In April Circus Geeks won the Propellor Prize.
The Propeller Prize is a partnership between the Roundhouse, Circus Space, Jacksons Lane, Jerwood Charitable Foundation, Seachange Arts and Le Brèche in Cherbourg.
The prize awarded by Jerwood Charitable Foundation provides a budget, support and space to develop Circus Geeks show which was presented at Jacksons Lane earlier in year. Residencies start in September and lead up to the premiering of our show Beta Testing in April 2014 as part of CircusFest. Dates and more detail to follow.
Exciting times.
Arron
Thanks to Amy for this one.
I’m currently reading ‘Steal Like An Artist’ by Austin Kleon which ties in to my interest in what seems to be a changing consensus on the origin and process of creativity, art and copyright law. One chapter mentions writing a public fan letter. Here’s one of mine…
I love Penn & Teller, they are not only my favourite magicians but also two of my favourite artists. I love their open and honest opinions on life and their approach to work. I love their backstory, how they went from street performing carnies to Las Vegas headliners. I enjoy their outspoken (well Penn’s out spoken) views on religion, politics and rational thinking. I try and watch as much of their work as I can and I’ve managed to see them perform live a few times. Each performance is different and there’s always something new to experience.
A couple of years ago I performed at a magic convention in Vegas and was lucky enough to see and hear Teller deliver a presentation on Penn & Teller‘s artistic and technical approach to creating a new piece. It was one of the most interesting and inspiring things I’ve ever seem.
Here’s a nice segment from Teller from a different piece he sometimes gives…
Each week I listen to Penns podcast and when the chance arises I read his books which bring me to tears of laughter. I love listening to Penn argue his point of view which is always phrased in such a informally precise, logical manor and yet, it still manages to take me by surprise.
Their careers have decades of success, with such a wide variety of material and outlets. From an appearance on the West Wing (arguing the right of flag burning), to creating a TV series about (and entitled) Bullshit. From directing Shakespeare plays to producing their own films. They seem to have a tried and tested approach to producing well thought out opinion and conveying it in an original and thought provoking manner.
They are a massive inspiration to me and I can’t wait to see what’s next from them, you know it will be ace.
One of my favourite Penn & Teller pieces…
More about the show here
Already this morning I’ve watched two videos which have amazed and inspired me (isn’t the internet marvellous?)! Both are juggling videos and have some very nice and original content. Interestingly (at least for me) in both cases I see similar inspirations that have been a starting point for some of my latest work, thoughts and ideas.
Obviously carried out (and I have to say, producing better results) in a very different direction to mine. Clearly both videos have other insparations mixed in, as well as a different starting point and intention. It’s not ground breaking stuff to say everyone is different but I like being reminded of it now and again!
Send me some nice acrobatic/aerial videos please!
A couple of extra bits from this weeks progress, from a show on paper (well screen) to a show on stage, come and enjoy/judge for yourself!…
I’ve recently completed another Lab:time project, this time looking at the use of a Kinect camera, video projection and basic juggling. Thanks to Circus Space, Howie and Jon for making it possible.
Here’s some of the results…
For some my definition of circus maybe a little too broad but personally I’m digging this guy on a board!
The Robots are coming…
Back when men were real men, and women were real women and fuzzy little green creatures from Alpha Centauri were REAL fuzzy little green creatures from Alpha Centauri (1960) these guys were performing crazy tricks in Circus Knie…
I love tricks.
Thanks to Norbi for pointing this one out to me.
One of my favourite performers Donald Grant, once remarked to me how performing his act felt ‘like putting on an old pair of comfy slippers’.
I’m starting to get to a similar point with my act. I know that despite external conditions I’m still capable of shipping my art and delivering the goods (although I’m still capable of screwing them up as well!). No stairs to get on stage? No Worries. Wrong music comes on? On with the show.
Once you’ve done your act several 100 times it starts to become a little less stressful, you start to trust your work a little more. You can refine detail and perhaps enjoy yourself a little more.
In a podcast Penn Jillette reminded me that acts that have worked for 20 years have a quality, maturity and refinement that can’t be taught and is rare to see these days. You can really see this with performers such as George Carl.
These ‘mature acts’ obviously made and make incremental changes over time and I enjoy following acts and watching how they subtly evolve. A new line here, an extra trick there – it’s a circus spot the difference.
However the danger is stagnation, it’s probably not as artistically rewarding for most performers to do the same material year in year out. And times have changed, there isn’t the market demand for such refinement yet lack of flexibility. Modern circus artists need slightly different skills, the ability to constantly create new work, collaborate (often cross discipline) and push the art form in new directions.
It’s not something that I’m not particularly suited for or good at. Yet I’m pushing myself onwards. I like having my comfy slippers but I know at some point I’ll need some brogues, trainers and even a pair of Crocs. After all, slippers do wear out – eventually.
Enough of the shoe analogies, I'm off to the cobblers.
At the moment I’ve been working a lot on my iPad using Paper to note down and sketch out vague ideas for the show. I like the app as it allows me to work as quick as I can with a pen and paper and yet take advantage of all the digital upsides.
Someone asked what’s an average day for a professional juggler. It’s a pretty difficult one to answer succinctly as the average day varies so much. Over the summer I was performing pretty much every day, right now I’m not performing so much and able to concentrate on new projects and on practicing juggling.
At the moment my average day is working out a bit like this (and I love it):
8:30 Get up
9 Running
10-11:30 e-mails, RSS feed, Facebook, Twitter and breakfast.
12-3 Juggle
3-4 Gym
4-6 Coffee, more internet catchup. Plan stuff for Beta Testing.
6-7 Eat.
7-12 fun time/pub time.
12-8:30 bed.
Repeat.
Playing with initial ideas for some of the visuals for the show.
Circus Geeks is stepping up and creating a show, Beta Testing. Thanks to generous support from Jacksons Lane and a helping hand from a few other friends.

The show’s been envisioned by Mr. Sparks but being made with strong support from Udry and Pang. Our blog will be updated as we work towards our first show together (so you might get an insight into how three friends become enemies, if nothing else)! As it’s our first attempt at a performance together it may be a little ‘rough around the edges’ (or as we like to think of it ‘fresh’) but that’s part of the charm of seeing something new, isn’t it?
The show will take place on the 1st and 2nd of February 2013 at Jacksons Lane theatre and it’s going to be radical. Be there (please). More on tickets later.
Here’s the official blurb….
Beta Testing. Circus Geeks very first attempt at a performance. Three british jugglers, Sparks, Udry and Pang seek to explore and share what juggling is, why they love it and what’s it like to be a professional dropper juggler.
There will be a Q&A session after the performance and you can watch the show being created @CircusGeeks on Twitter, on Facebook or this very blog!
Here Mr. Wilson clearly and concisely explains some of his core beliefs about juggling
You may have noticed that this blog has been updated a little sparsely over the last few months, namely because over the summer most circus artists are (hopefully) manic with work and lack a little of the time and energy needed to concentrate on a blog. Unfortunately this is not the sole reason.
Luke Wilson, known online as Cubecheat (referring to his love of the Rubik’s Cube and cheating/magic) was diagnosed with cancer of the oesophagus at the start of the summer. Throughout the summer he underwent treatment but ultimately lost his battle with cancer and past away today.
Luke was a close friend and I have many fond memories of time spent with him but I think I’ll save them for another place and time. In this post I’d like to remember his amazing teaching.

In 2003 at the British Juggling Convention in Brighton I watched a workshop on modern club juggling. There were many great jugglers sitting and watching a skinny, charismatic, excited man explain juggling detail and variation in his already slightly odd british-german accent. He explained ideas and processes in such a brilliantly logical way that it was both beautiful and clear. I asked Guy Heathcote who the man was and he informed me it was a gentleman by the name of Luke Wilson.
Years later, when on the degree at Circus Space I was lucky enough to experience Luke’s teaching first hand. Everything about his approach to teaching and learning was perfect. He had lessons planned down to the minute, almost second. He would literally give you a task for 6 minutes and 45 seconds and then onto the next with 1 minute and 35 of thinking time. Always in a tight fitting t-shirt, watch around the right front belt loop of his jeans (he claimed it was because he didn’t like to juggle with a watch on his wrist but I suspect it was because his wrists were to thin to keep a watch on! Always in jeans because he found them best for kickups, an area of juggling which Luke excelled at. You can view a tutorial we made together on the triplex kickup here, it gives a great insight into the effort and detail Luke went to in anything he did).
Luke had tried and tested methods and tasks but also experimented with new ideas and exercises in class. His classes had a brilliant combination of building up confidence in technique, as well as pushing creativity using defined parameters and matrixes. Overall pushing your understanding of what juggling is and could be.
I’ll never forget having to do 3 ball penguins whilst being asked what the capital of capital of Chile is, what’s six times seven and being poked in the back all at the same time. Or the sequence 1,12,123,23,3,31,312,12,2,23,231,31,1
Lukes thoughts on juggling, circus and art in general massively influenced the way I think and approach work, when I shared a flat with him for 3 months we would often stay up till early morning discussing and debating our views on circus and juggling. He had very clear thoughts on what circus and juggling are and how to define them. Not believing in the relevance of the ‘contemporary vs traditional’ debate which seemed to be so important to some in the 80s and 90s and even today. Luke viewed and defined work as good or bad, original or ripoff, ethical or not.
His views on progressive steps forward for the art form were clear, using the internet to share work and ideas (which included some magnificent posts on this very blog), constantly creating new aesthetics, drama, performance and ultimately tricks.
Constantly pushing himself, seeking out new inspiration and ideas, Luke taught at juggling conventions and circus school all over the world, inspiring 1000s of jugglers. Competing in international circus competitions, performing in sold-out theaters, sharing his art with the world. Living the dream.
Despite Luke coming from Portsmouth and myself coming from Southampton, we always had a great rapport which turned into a close friendship over the years, we shared many of the same interests and passions. When I was in school we would often joke that I was his Padawan learner. I suppose it would only be fitting to include…
There’s so much more I could say about his teaching, never mind his performing or his friendship but it can wait.
For now I need to be still and sad, a friend is gone forever.
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